Morts & Eye

Three more pieces to add to my collection of free drawing. No plans, no excuses. Straight from my mind to the paper without a previous sketching. I always find to much fun working this way, and now these three are up for sale through my online store.

Also, some of my artwork is suitable for music bands covers and merch. A couple collaborations are about to see the light soon and I’ll post them here too. Please, don’t hesitate in getting in touch if you are interested in any of my existing artworks or if you are looking up for a new custom one.

Thank you very much!

Mort I
Original artwork
Rohrer & Klinger ink on Magnani Portofino 300 gr, 100% cotton paper.
15 x 15 cm
Single piece.

Mort II
Original artwork
Rohrer & Klinger ink on Magnani Portofino 300 gr, 100% cotton paper.
15 x 15 cm
Single piece.

The eyes VIII
Original artwork
Rohrer & Klinger ink on Magnani Portofino 300 gr, 100% cotton paper.
15 x 15 cm
Single piece.

The Raven

I’ve been tattooing ravens and crows for years but I think this is the first time I put one of them into a detailed illustration on paper. This is the result of a further collaboration with Utech records in a near future and I’m very happy for it. The original artwork piece is available from this moment on and you can buy it through my online store.

I will not make any reproductions of this illustration as it forms a part of a collaboration and also because I’m investing a lot of energy in producing and promoting the sales of original artwork. Something done by the human hand for the human mind, a hundred percent produced with Natural Stupidity or NS as I call it. If you are interested, don’t hesitate too much as it happens with birds, this one will fly sooner or later.

Thanks!

The Raven
Original artwork
Rohrer & Klinger ink on white natural Arches, 300 g/m2 (140lb), 100% cotton, acid free, archival standard paper.
29,6 x 42 cm A3 format.
Single piece.

Motörwar II

A new view for the Head, War Pig, Snaggletooth, Iron Boar or any other option you may have in mind to call Motorhead’s beast of choice. As any other fan who likes to draw, I guess having a good time it’s what matters! And I did!


This new piece is smaller than the previous Motörwar artwork. A little 20 x 20 cm paper has been enough to put tons of details and textures. And, with all respect for Mr.Petagno’s work and the band itself, this fan art is for sale through my online store. There will be more, for sure, as it is an incredible subject to work on. I’m sure this mighty creature has captivated millions of fans dreams and nightmares for decades and it’s amazing how much power can deliver to a piece of paper. I’m happy with the outcome, hope you like it too.

Thanks.

Motörwar II
Rohrer & Klinger ink on white natural Arches, 300 g/m2 (140lb), 100% cotton, acid free, archival standard paper.
20 x 20 cm

El barón de Bolinaggi y más ojos

Cuatro nuevas ilustraciones a tinta, siguiendo las líneas de la anterior tirada y siempre con la idea de no programar mucho el resultado. Todas ellas han ido saliendo sin boceto previo o preparación alguna, más allá de marcar algunos ejes de la composición. Todos estos originales están en venta a través de mi tienda online y la de Eclipse Tattoo Barcelona. No dudes en preguntar si tienes alguna duda o si quieres comprarla en persona en el estudio. En breve, nueva tirada.

Muchas gracias.

The eyes V, VI, VII
Rohrer & Klinger ink on white natural Arches, 300 g/m2 (140lb), 100% cotton, acid free, archival standard paper.
20 x 20 cm

Barón de Bolinaggi
Ink on Magnani Portofino 300 g/m2 (140lb), 100% cotton, acid free, archival standard paper.
15 x 15 cm

Hic Sunt Dracones II

Cinco nuevas inmersiones en el tema de los dragones aprovechando diferentes formatos esta vez. Como de costumbre, todas estas ilustraciones son originales y no tienen proceso de esbozo o preparación previa al entintado. Desde ya mismo, las tienes disponibles a través de mi tienda online si te interesa hacerte con una de ellas.

Hic Sunt Dracones VI
Acrylic painting and poska markers on canvas.
15 x 15 cm

Hic Sunt Dracones VII, VIII, XIX
Rohrer & Klinger ink on white natural Arches, 300 g/m2 (140lb), 100% cotton, acid free, archival standard paper.
10 x 25 cm

Hic Sunt Dracones XX
Rohrer & Klinger ink on white natural Arches, 300 g/m2 (140lb), 100% cotton, acid free, archival standard paper.
20 x 20 cm

MOTORWAR

What do you see when you listen to Motörhead? This is my answer and contribution for the «Warriors» show at Das Kabinett Berlin! Once again, Matteo and his team are putting together a really nerdi nice art exhibition. I really had a super fun time working on this piece and I’m actually planning on exploring the snaggletooth dimension a little bit more.
A couple of giclée prints of this Motörhead tribute will be available for you to buy at the show. All profits goes to charity! If you want to get the original artwork piece, please visit my online store.

As usual, for this kind of illustrations, I’ve used my molotow pens on arches paper in order to get a really smooth result. Measures are 29,6 x 42 cm (A3 format). I will not make further prints of this piece for commercial purposes.

Thank you very much for following my work once again and long live to the Overkill Bastards Sons.

WARRIORS
Friday 17th March at Das Kabinett
Berlin, Germany.
enterdaskabinett@gmail.com

Long Live Tattooing

This is the artwork I’ve been comissioned to do for the new studio of the italian tattoo master and commander Rino Valente. Long Live Tattooing will open it’s doors this week in San Casciano, Chianti (Italy). I encourage everybody to follow Rino’s work in full, he’s a true craftsman whose abilities don’t end in tattooing at all. A genius figure I’ve been glad to know in person for years and trusted my projects on leather since long ago.

Once again, my Molotows pens and a Din A3 Saunders Waterford paper have been my weapons of choice. For this kind of projects, that take long and need an extreme clean outcome, this combination it’s far better than other traditional inking options. Love the quill and ink but I guess I’m not that skilled!
I feel really lucky to have the chance of working in illustrative works like this one, so if you have a project proposal for me, don’t doubt to let me know through my email : david@davidtejero.com.
Thanks again for following my work here in my blog, we all know it always feels better to see the pictures in a good resolution size. Instagram has its limitations! Remember, Long Live Tattooing.

Dystopia at Das Kabinett

This is my contribution to Dystopia, a new dark age art exhibition at Das Kabinett, Berlin. What to expect on 11th march? A collection of many tattooers around the world offering their visions about this main theme:

It has been almost two years into a disquieting global crysis, and as dark and bleak perspectives open up to our eyes, we warily enter a new era of unimagined fears, medical pioneering and new bureaucracy.

Living in a time that generations before ours have called THE Future, we have to face the fact that our days are very far from that utopic ideal; there’s no bright future, only a shrinking present, slowly corroding itself into an embarassing past.

We dreamed of jetpacks and space travels, alien encounters and galactic empires, only to wake up to a new millennium of medieval nightmares: plagues, conflicts, climatic disasters, discrimination, cyber-dictatorship and anti-scientific obscurantism.

What will be expecting post-humanity in the next decades or centuries? We surely don’t know, but we’d like to invite you to a reflection on the dead-and-gone and the still-possible-futures, on contemporary nightmares and future dark ages, on glorious retró techno-epos and brutal pasts we would rather cancel.

I want to give thanks to Matteo and all the team at Das Kabinett for putting up a very promising show after this two years of pandemic boredom. Let’s get back to some of our old habits by promoting this kind of art meetings. If you are in Berlin in march, don’t doubt it.

DYSTOPIA, A NEW DARK AGE
Das Kabinett
Berlin, Germany
11th March

Stone Deaf forever!

sd1

I’ve been included for the second time in the Stone Deaf zine curated by Alex Matus with the help of Brookes Reeder. Considering that I’m holding the second number in my hands, it’s a fucking success. I met Alex some years ago when she came to Barcelona to spend some days tattooing at Aloha Tattoos. I got a druidess tattoo from her (tribute to Type O Negative ha!) and we’ve been in touch since then. Alex tattoos and artwork are one of a kind, as her life too. This little piece of art combines the pictures taken by her at metal gigs with her iphone, with illustrations from a nice list of really talented people.

I contributed with my «saved by the storm» illustration and I’m really happy with the result. This little guy has flight many hours and I’m very proud that one of my best works is a part of this super fun compilation. You can feel this kind of work, by Alex, is done from the heart. Pure metal fan. So thanks again for having me in Alex !!

In this volume n.II : 
Colin Baker · Zac Scheibaum · Maarten Donders · Arik Roper · Alex Matus · Raul Cruz ·Jack Sabbat · Edu Cerro · Richey Beckett · Rose Whittaker · Nick Mckillip · Prilzor…
and myself!

Follow STONE DEAF ZINE and ALEX MATUS in instagram.

Monster II print and Eclipse T-shirts

After Florence and Brussels Tattoo Conventions my new T-shirts for Eclipse Tattoo Barcelona are ready to be sold online. They are Gildan Premium of 180 gr and are printed in discharge for an everlasting quality. Masters at Newtownlab Barcelona have done they work in an excellent way one more time! Stock is limited to 50 and some of them are already gone. Be fast if you want one!

I have also turned my last illustration into a little run of 10 giclée prints. Some of them were sold at the Brussels Tattoo Convention this weekend. The remaining ones are for sale now through Eclipse’s online store. Every one of them is signed, numbered and embossed by me. Once again, they have been printed at Impressionart. I want to give thanks for the attention and good vibes towards my work, it really means a lot. The original artwork is now a part of Sean Gamil’s private collection.